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- <text id=89TT3136>
- <title>
- Nov. 27, 1989: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Nov. 27, 1989 Art And Money
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 16
- </hdr><body>
- <p>Compiled by Andrea Sachs
- </p>
- <p>THEATER
- </p>
- <p> THE MERCHANT OF VENICE. Dustin Hoffman plays Shylock, warts
- and all, in a shimmering Broadway production transferred intact
- from a sold-out London run. A tough ticket worth every penny
- and every minute of the wait.
- </p>
- <p> CLOSER THAN EVER. This musical sampler from lyricist
- Richard Maltby Jr. and composer David Shire is an off-Broadway
- charmer deftly performed. Special joys: character songs that
- actors Brent Barrett and Sally Mayes render as richly nuanced
- as one-act plays.
- </p>
- <p> MYSTERY OF THE ROSE BOUQUET. Jane Alexander and Anne
- Bancroft play a nurse and a patient in a taut psychological
- study by Manuel Puig, author of The Kiss of the Spider Woman,
- at the Mark Taper Forum in Los Angeles.
- </p>
- <p> RADIO CITY MUSIC HALL CHRISTMAS SPECTACULAR. Like its
- Rockefeller Center neighbors -- a towering fir tree and a
- glistening ice rink that displays the endlessly watchable
- gyrations of amateur skaters -- this New York City
- bring-the-family pageant is one of the grandest holiday
- traditions in the U.S. Satisfyingly the same from year to year,
- yet spruced up just enough, the fast-moving script mingles
- Charles Dickens, Santa Claus and Tchaikovsky's Nutcracker with
- carols and hymns. The climactic Nativity scene features camels,
- donkeys and other live animals. This year's production serves
- up dazzling special effects and opulent costumes, as well as the
- show-stopping, high-kicking Rockettes. If at times the narration
- suggests the entire world is Christian, or should be, the
- overwhelming message is joy and goodwill.
- </p>
- <p>MUSIC
- </p>
- <p> LINDA RONSTADT: CRY LIKE A RAINSTORM, HOWL LIKE THE WIND
- (Elektra/Asylum). Ronstadt takes lessons learned from her three
- successful albums of pop standards and puts them to work on the
- kind of material she did so well in the '70s: confessional
- ballads and songs of love gone amiss. The cathedral-filling
- orchestral arrangements threaten the fragile structure of some
- songs, but Ronstadt's singing (superbly accompanied on four
- tracks by New Orleans soulster Aaron Neville) keeps everything
- on course.
- </p>
- <p>ART
- </p>
- <p> THE NEW VISION: PHOTOGRAPHY BETWEEN THE WORLD WARS, The
- Metropolitan Museum of Art, New York City. This smartly
- conceived show, which introduces the Metropolitan's new Ford
- Motor Company Collection of 20th century photographs, highlights
- the camera's courtship of pure form. Through Dec. 31.
- </p>
- <p> THE INTIMATE WORLD OF ALEXANDER CALDER, Cooper-Hewitt
- Museum, New York City. A delightful demonstration that for
- family and friends the sculptor could make practically anything
- out of anything. Through March 11.
- </p>
- <p>MOVIES
- </p>
- <p> VALMONT. Maybe it's time to call it a day for film remakes
- of Les Liaisons Dangereuses, Pierre Choderlos de Laclos' novel
- of sexual gamesmanship among 18th century French aristocrats.
- Director Milos Forman and screenwriter Jean-Claude Carriere have
- not so much adapted this deliciously nasty tale as they have
- embalmed it.
- </p>
- <p> IMMEDIATE FAMILY. Glenn Close and James Woods desperately
- want a child; Mary Stuart Masterson is about to have one.
- Director Jonathan Kaplan's comedy-drama finds sympathetic
- laughter in everyone's burdens and opportunities. The tears come
- later.
- </p>
- <p>BOOKS
- </p>
- <p> THE PEOPLE AND UNCOLLECTED STORIES by Bernard Malamud
- (Farrar, Straus & Giroux; $18.95). This posthumous volume
- includes an unfinished novel and 16 short stories never before
- collected in book form. The novel is little more than a sketch
- of what might have been, but the stories -- grim and comical in
- equal measure -- offer poignant reminders of Malamud's gift and
- his stature as an American master.
- </p>
- <p> THE STORYTELLER by Mario Vargas Llosa (Farrar, Straus &
- Giroux; $17.95). A Peruvian narrator, who strongly resembles his
- creator, remembers a college classmate in Lima during the 1950s
- and ponders the possibility that his old friend has become a
- bard to an endangered Amazonian tribe. This ruminative novel
- about storytelling and its place in society shows a world-class
- author in splendid form.
- </p>
- <p>TELEVISION
- </p>
- <p> MACY'S THANKSGIVING DAY PARADE (NBC, Nov. 23, 9 a.m. EST).
- Might as well face it -- she's here to stay. Today show usurper
- Deborah Norville joins terminally jovial weatherman Willard
- Scott to narrate this year's float extravaganza.
- </p>
- <p> FIFTY YEARS OF TELEVISION: A GOLDEN CELEBRATION (CBS, Nov.
- 26, 9 p.m. EST). Stop us before we kill: yet another survey of
- "classic moments" from TV's past. Hosts include Walter Cronkite,
- Carl Reiner and Miss Piggy.
- </p>
- <p> THE AMERICAN EXPERIENCE (PBS, Tuesdays, 9 p.m. on most
- stations). What's this? A documentary series featuring
- real-life news footage rather than actors re-creating it? That
- is an admirably quaint notion that has spawned some fascinating
- programs. Former Harlem Congressman Adam Clayton Powell is
- profiled this week.
- </p>
-
- </body></article>
- </text>
-
-